by admin | Aug 2, 2016 | cover, Fallout, Publishing, title, Uncategorized, Windscale fire
There’s no copyright on book titles. I didn’t realise that to start with and fretted that I couldn’t ever use a title that had been used before, but I can, although it’s still needs thinking about.
The easiest way to check is to do what I did yesterday – draw up a shortlist and then look each title up on the Amazon data base. I know it’s lazy, but it’s quick. Looking carefully at what comes up helps me to decide whether a previously used title could be used again. If the title has been used before, which almost all titles have, I look for various criteria:
- Was the previous book the same genre? I want a title for my novel: if the previous title was for non-fiction, it’s unlikely that someone looking it up would be confused.
- Has the title been used in the UK, or just in North America or elsewhere around the world? If it’s just in the US, for example, I wouldn’t hesitate to use the title again.
- Was the title previously used for a paperback, or just for an ebook? I publish in both formats, and I might still choose to use the title again, although I might slip down the priority order
- How long ago was the title I want used previously
? If it’s within the past year or two, that could be a problem. In 2014, when I was looking for a title for my novel set in and around the Windscale reactor fire in Cumbria in 1957, the title ‘Fallout’ was an obvious choice, and I really wanted it. Just three months before we went to print another novel appeared with that title, published in the UK, and I had to make the choice. In the end I decided to go ahead, but I’ve noticed that since publication we’ve had two copies returned – which I guess arose from the confusion over the title. I still think I made the right decision, though, and the cover is pretty special too. ‘Garish’ someone called it, but at least it gets noticed.
When I’ve checked all these criteria, I find that some titles don’t feel so appealing, as they have been used before many times, and quite recently. The exercise yesterday brought the list of eight possible titles down to two or three, which was helpful. Once my trusty editor returns from her hols the fateful decision will be made and possible covers will then be designed. Still on schedule for publication in November 2016.
by admin | Jul 24, 2016 | cover, crime fiction, title, Uncategorized
My editor and I are having a disagreement about the title of the new book. The first title I chose sounded fairly dull, and I wasn’t convinced. Then I opted for a phrase ‘Seize the Day’ which appears once in the book, and quite significantly, but right at the end. She feels that the reader might be annoyed that the title’s meaning remains a mystery until the very end. She also thinks that the abstract phrase would be hard to link to an attractive cover image. All this may be true, but I can think of many books where the cover image is a mystery, and the title too: the connections between them and the story are intended to be part of the riddle. Am I asking too much of my readers? Do titles need to be ‘literal’?
We’re now considering various alternatives, but the issue of a connection between title and cover image remains a dilemma. There are various themes and events in the book that could be picked up in both title and image, but which would be most effective? No decision is absolutely necessary for a few weeks yet, so I shall wait for inspiration – showing more patience and tolerance of uncertainty than is customary for me.
by admin | Jul 17, 2016 | Authenticity, crime fiction, Uncategorized, West Cumbria
Problem:
- I want to write a crime series based in Cumbria.
- I want to have a female detective, who needs to be at least at sergeant and better still at inspector level.
- I want to keep clear of the technical complications of the DNA, Police and Criminal Evidence Act and the introduction of computerised data.
But… there were no female detectives in Cumbria until the 1990s. So, something has to give. Does authenticity matter, or could I introduce a female detective earlier than it actually happened? Ironically, the Cumbria police force now has plenty of high-status female detectives, including one with the wonderful surname of Thundercloud, but this is now and that was then. So what to do? My reluctant conclusion is that authenticity does matter: I must stick with my physical setting of West Cumbria because it’s so important to me, and so the time setting has to move into the mid/late 1990s. All the necessary research is unavoidable, but I can do it. Should be fun to discover how life has changed over the past twenty years.
by admin | Jun 30, 2016 | crime fiction, fact-based fiction, historical fiction, plotting, research, Uncategorized
Who remembers good old Sergeant Dixon, courteous, uncomplicated, with his files and his big black phone, solving crime through listening to people and figuring things out?
Those were the ‘good old days’, before DNA and computers and CSI forensics, when policing was simple and villains were wicked and the death penalty was still the ultimate deterrent and women knew their place.
I’m thinking about the setting of a new crime series. The choice of place is easy, it has to be Cumbria. But time? Personally I prefer the present day to previous decades when oppression of various kinds was more widespread, but as a crime writer I’m attracted by the relative simplicity of policing in the past. I want my main detective to be female, but that’s unrealistic in the days before the late eighties when it was finally accepted that female police officers might be given more to do than making the tea. But I also want to avoid some of the more clinical and technical aspects of contemporary policing which radically affect both the research and the plotting. There must be a window of opportunity between these two. It would be really interesting to focus on the early days of women in CID in Cumbria, in which case I need to talk to some of those early pioneers and get their stories. That would be a worthwhile exercise, no matter what plots ideas flowed from it.
At the same time as I’m considering all this I’m watching the Brexit decision and all its implications. Today I saw the figures on the close correlation between those in favour of the death penalty and those wishing to leave the EU. And there’s a piece in the Guardian about ‘false binaries’, another way of saying that the best choices are rarely just one solution or another, which is one reason why the EU referendum was so flawed in both process and result. Real life, personal, social and political, is always complicated and pragmatism is an under-rated virtue. President Obama has maintained a good balance of principle and pragmatism, in my view, but I’m not optimistic about political leadership in the UK right now. They say we get the political leadership we deserve. We must have done something really bad.
by admin | Jun 19, 2016 | cover, crime fiction, Cruel Tide, Morecambe Bay, Publishing, readers, self-publishing, title, Uncategorized
I always struggle with titles, and then with the cover image that should illuminate the title and engage the reader: as an independent author/publisher, these decisions are all mine. The image on the cover of ‘Cruel Tide’ developed before I even started the book. It came to me when I did the walk across Morecambe Bay and was struck by the menace of quicksand very close to the northern shore. The snaking, threatening tide that covers these huge mudflats twice every day connected with another cruel tide – of abuse, cover-up and corruption that have damaged so many children’s lives. The decision about both title and cover came to me quite quickly.
Not so with the sequel to ‘Cruel TideI’ that I’m currently completing. My editor Charlotte and I have brainstormed possible titles, but nothing really stood out. Then in the final stages of the first draft, in one of those times when the story seems to be writing itself, the words ‘Seize the Day’ became suddenly significant and I could see them on the cover, with a dark image of one of the settings – no details for fear of plot-spoiling.
The first thing you do is check how many other books already exist with that title. Of course there are several, but then you have to take them one at a time and decide whether the replication is significant. The most recent was non-fiction, an autobiography, so that was OK. Another appeared to be a religious tract, too different to bother about. There was one fiction book, but a very different genre.
I think I have my title. Next I’ll think hard about the image, and start working with the cover designer Kevin Ancient who did such a wonderful job with ‘Cruel Tide’. Crime fiction covers seem to be have some common characteristics, to ensure that readers understand what may lie between the covers. Decisions to make. Watch this space.
Recent Comments