The Unbound project is live!

ABurning Secret Flyerfter a flurry of activity the Unbound project to publish my next book went live on Monday. I’ve been busy the past few days emailing the link to dozens of people asking for their support. This is the very classy flyer that gives the basic details but there’s much more on this link.

Yesterday I did a marathon tour of some of the libraries at the other end of Cumbria, where foot and mouth was rampant, and heard more memorable stories from the catastrophic outbreak in 2001. It was the smell that is most vividly remembered: animal carcasses, and the smoke from the pyres. A dystopian landscape.

For the next few weeks I’ll be busy getting the link and the flyer shared as widely as possible, and encouraging people to pledge their support for the project anyway they can. If you can help, please do and I’ll be very grateful. Thanks.

 

 

 

 

 

 

 

 

 

 

 

 

 

Almost there…

WBurning Secret Flyerith only one or two tweaks yet to make, my Unbound project ‘Burning Secret’ should go live tomorrow, Monday May 8th 2017. Then the fun begins, and readers will hopefully begin to pledge their support. There are some good ideas among the pledges, by the way, and definitely worth a look. The link given in the ‘flyer’ to the left isn’t live yet, but if you want to get a sniff of how it will work, go to Unbound and check out some other projects. And keep an eye on FB and Twitter where I’ll let you know the link to go to as soon as it’s ready. I’m finding the whole business exciting, and moderately scary too. It kept me awake for too long last night.

Part of my commitment to the Unbound project is to update my ‘supporters’ regularly about how the project is going, including my actual writing of Burning Secret’. I’ll carry on with this blog of course, and just link across to the Unbound website and vice-versa. Unbound are understandably unwilling to commit right now to a publication date for the the new book, but my target is to have it out by July 2018, and the paperback to follow by Christmas. To achieve that I have to have the first draft finished by November this year, and I’m pretty sure I can do that. With five novels behind me, I’m more experienced and confident, and less prone to paralysing self-doubt. The real task facing me now is not to finish the book by the target date but to do as good a job as the subject matter demands. It needs to be good, really good, to do justice to the horror of what Cumbria went through.

The ‘Unbound’ contract is signed, so what now?

How did this happen, and now that it has, am I up to it?

I started to write relatively late in life: going on a course on ‘How to Write a Novel’ was my 60th birthday present to myself. Four years later I published my first novel ‘A Good Liar’ and four more have followed since then, one each year since 2012. I tried half-heartedly to find an agent or an independent publisher, failed and gave up. Being self-employed for 25 years provided a degree of self-reliance that was useful in the decision to self-publish, and to do so I well as I could, investing my own hard-earned savings where necessary. I did, and it worked, My books have sold thousands of copies, but most of the sales have been within fifty miles of where I live. They’re all set in Cumbria, and this is obviously very attractive both to locals and visitors, but the stories themselves transcend the setting: it’s the people who matter, what they do, how they feel, how they relate to each other and the lives they lead.

Knowing that the stories are wider than the setting, the promotion and distribution problems that all self-published writers face have been frustrating. With few exceptions, the prejudice against self-published books has been obvious: no reviews, no access to mainstream competitions, insufficient ‘celebrity/literary profile’ for acceptance as a speaker at the book festivals, scant regard from buyers for the major booksellers. Fortunately, I enjoy and am good at talking about my work, and do so regularly at libraries, local writers’ groups, and for Women’s Institutes and other organisations. As a result direct sales of my books are a large part of the overall total. The writer in me gets great satisfaction from readers’ appreciation of what I do, but the entrepreneur in me has been frustrated by the book world’s assumption that self-published novels are ‘ipso facto’ second-rate.

In the end, after all my planning, the invitation to move into a wider publishing world came by accident. At the end of one of my library talks a man introduced himself and told me about his daughter who works for a London-based publisher called Unbound. I listened, but people often tell me that they have contacts in the publishing world and almost invariably it comes to nothing. A week later, however, an email arrived from the daughter, a Commissioning Editor with Unbound, who’d been regaled by her parents about my books – which they love – and my talk. We met, we talked, we negotiated, and less than two months later the deal is done: I will publish my next book in 2018 through ‘Unbound’. With a working title of ‘Burning Secret’, it will be a family/police/crime story set in Cumbria in 2001 at the height of the Foot and Mouth outbreak. Next time I’ll explain in detail the stages of writing and publication over the next year or two. For the time being, check on Unbound, and look at ‘How it Works’. In a couple of weeks my project will go live on the Unbound website, video, pitch, pledges, the works. I’ll post regularly about the process here and through the Unbound website. If you want to share the journey, I’d be delighted.

Do ‘special deals’ on books really work?

I’ve just put the ebook of ‘A Good Liar’ on GoodLiar_COVER.indda Kindle store special deal for a week, starting April 1st. I have mixed special deal -stock-photo-limited-time-offer-price-tagfeelings about doing so, but it’s just for a week, and we’ll see how it goes. If it encourages people to read the whole trilogy, as ebooks or paperbacks, it’ll be worth the angst about reducing the price to less than a cup of coffee.

My ambivalence about this stems from knowing how much time and effort any author puts into writing and publishing their work : setting a very low price seems to under-value all that. But, on the other hand, if you want people to read and enjoy your stuff, making the price temporarily very attractive is a way to achieve that. One of the joys of self-publishing is that you can make those choices yourself.

It was recording the audio book of ‘A Good Liar’ that reminded me what a good story it is. The engineer who helped me – Tom Tyson, at the Music Farm in Egremont, Cumbria – is not a great fiction reader, but he was so hooked after the second recording session that he had to read the rest of the story for himself to see what happens.

Jessie Whelan is not an easy character to deal with: she’s self-centred, impulsive, and sometimes insensitive, but she’s had to battle all her adult life, and it shows. She’s also – despite years of abstinence – very interested in sex, which pulls her into a relationship that she could, and probably should, have avoided. Some scenes were really hard to read while I was doing the recording, not just because they portray sexual assault but because Jessie doesn’t really know whether to blame the perpetrator or herself. It’s not in her nature to feel like a victim, although the reader can see that’s what she was. How did Tom react while he was listening to it, I wonder? I didn’t ask him, but I will.

In the meantime, before the next trip to the studio to finish off the edits, I’ll put the ebook version on special offer for a week and see if I can introduce new readers to the trilogy. Maybe some of the millions of Lake District and Cumbria visitors will enjoy the story, and deepen their interest in this wonderful region. I hope so.

 

 

Writing about your own community

Every year in mid-December I borrow tables, chairs and crockery and invite all my neighbours in for the  ‘Street feast’.

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The annual gathering took place last night: fourteen adults, two children and a baby celebrating his first birthday with us. Ages ranged from 81 to the one year old and we all packed into my relatively small space – not a buffet, a proper sit-down meal. It’s a logistical challenge, and this was the biggest yet, but every year I’m glad we do it. Our row of nine houses is just a part of our village in West Cumbria, and the conversation round the tables last night showed yet again why this part of the world is such a rich setting for an ‘offcomer’ writer: long histories, inter-connecting families, shared memories and concerns.

Offcomers must always be on the fringe but being part of a community like this is very satisfying: over twenty years in my Salford flat I knew only two of my neighbours to speak to. I was accepted here relatively quickly mainly because my son-in-law is well-known in sporting circles and makes me ‘OK’ by association. Acceptance into a community brings with it a sense of responsibility. Writing the trilogy ‘Between the Mountains and the Sea’ was my first attempt at fiction, inspired by this place and its people, and I felt a strong obligation to get my facts right, which means many hours of research and checking. Worth it though.

At the launch of my new book ‘Fatal Reckoning’ last week in Whitehaven the Director of the Beacon Museum who welcomed us to her place said that my Jessie Whelan trilogy ‘Between the Mountains and the Sea’ was one of the first things she read on arriving in Cumbria and gave her an invaluable insight into the recent history of the place and its people. I was very chuffed by that. Last night’s party added to that sense of community and I loved it, as I always do.

A new chapter?

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I knew this week would be busy but it’s been more than that: it feels like the start of a new chapter in my short writing life. Two events happened simultaneously. First, my new book ‘Fatal Reckoning’ was officially launched, on Friday at the Beacon Museum in Whitehaven, on the top floor (visible in the photo) with a superb view over the harbour and out to sea. It was a very enjoyable afternoon although I say it myself. One of the best parts was the introduction from the Director of the museum, Elizabeth Kwasnik – an off-comer from Scotland – who said that my trilogy ‘Between the Mountains and the Sea’ had given her valuable insight into the recent history of West Cumbria and its people. The historian in me was very pleased about that.

Second, the night before the Beacon launch the new ebook version of ‘Fatal Reckoning’ appeared on Amazon and the Kindle Store, published this time not by me but by Fahrenheit Press, who specialise in digital publishing, mainly of crime fiction. I’ve been fascinated to see how they set about establishing their books – and now mine – on the radar of crime fiction readers, mainly using Twitter. Chris McVeigh, who started Fahrenheit Press has also written a blog piece about the details of the curious partnership between us, by which they publish digitally and I do the paperback version. Two different formats, two different audiences, two different approaches, and an interesting development in self-publishing. As I explained last week, Fahrenheit’s version of Cruel Tide on Kindle has a completely different cover. Click the link to see it. And while you’re there, check the new ‘Fatal Reckoning’ cover too.

Both these developments have made me think, yet again, about what I’m doing and what next. The setting in Cumbria has to remain central to my writing, no doubt about that. Also, I really enjoyed weaving fact and fiction in the trilogy, and want to do that again. Could I combine that approach with a ‘crime’ story, as I tried to do in the first book in the trilogy ‘A Good Liar’? Does the next book need to be the start of a new series, which might be more lucrative but can be restrictive too?

My fiction writing life will be shorter than many authors, simply because I didn’t start until I was 60. So if the number of books left in me is relatively small, what are my priorities? I don’t want to spend precious time churning out books that might sell but don’t really interest or inspire me. Needless to say, a new idea is already forming, but nothing I want to talk about just yet.